6187 Tags

richmond

6 Articles

View all...

Requester’s Voice: Richmond Transparency and Accountability Project

Requester’s Voice: Richmond Transparency and Accountability Project

The Virginia-based advocacy group Richmond Transparency and Accountability Project talks to Tom Nash about how they use public records to push for police oversight.

Read More

Be Seeing You: Richmond, Virginia’s police are making it easier for neighbors to spy on each other

Be Seeing You: Richmond, Virginia’s police are making it easier for neighbors to spy on each other

The same day the Richmond Police Department in Virginia faced national scrutiny after an on-camera white officer threatened black middle schoolers that when they turn 18, “you’re mine,” the department announced a collaboration that will allow neighbors to turn the cameras on each other.

Read More

Virginia school system stalled release of its secret budget

Virginia school system stalled release of its secret budget

Richmond School Board offers a special lesson in how the Virginia Freedom of Information Act is not supposed to work.

Read More

$1 million in Virginia public funding sponsored "Lost Cause" film in 2013

$1 million in Virginia public funding sponsored “Lost Cause” film in 2013

Before Virginia Military Institute cadets were photographed in blackface in yearbooks, they fought to preserve slavery during the Civil War in the Battle of New Market. The 2015 film Field of Lost Shoes - produced with $1 million in Virginia public funds - chronicles that battle.

Read More

Oliver W. Hill’s FBI file reveals casual racism, a lack of Communist ties, and a case of mistaken identity

Oliver W. Hill’s FBI file reveals casual racism, a lack of Communist ties, and a case of mistaken identity

Oliver White Hill is among the country’s most important civil rights attorneys of the 20th century, known for pursuing cases to dismantle segregation in Virginia before and after serving in the army during World War II. The Federal Bureau of Investigation’s file on Hill, however, offers its own remarkably skewed, racist, and paranoid view of Hill’s work, in keeping with Director J. Edgar Hoover’s deeply held suspicion of the Civil Rights movement.

Read More