Recently, we received our 1500th submission to the Great Hoover Hunt project, which aims to catalog all of the handwritten notes from longtime Federal Bureau of Investigation Director J. Edgar Hoover in the Bureau’s files. To commemorate the occasion, we put together a collection of some of Hoover’s choicest bureaucratic broadsides, ready to be copy-pasted into your office’s Slack debate over who forgot to pick up more toner.

Recently, in response to Emma Best’s 2017 FOIA request for files on former Federal Bureau of Investigation Deputy Associate Director Cartha “Deke” DeLoach, the FBI released an additional 137 pages. As fellow MuckRock user Paul Galante was quick to point out, those new pages include a 1998 letter by DeLoach to one of the producers of the “X-Files,” offering his thoughts on the script of the fifth season flashback episode “Travelers.” To put it mildly, he was not a fan.

Ernie Pyle, the legendary journalist and war correspondent who died in Japan at the end of World War II, had a typically complicated relationship with the Federal Bureau of Investigation.

A memo uncovered in Ronald Reagan’s Federal Bureau of Investigation file reveals the FBI’s concerns that the 1964 film “Seven Days in May,” which depicted an aborted military coup of the U.S. government, would be used as Communist propaganda - and was therefore “harmful to our Armed Forces and Nation.”

The Federal Bureau of Investigation’s COINTELPRO investigation of Ramparts magazine appears to have been sparked by a combination of their exposés on Central Intelligence Agency, their contacts at press outlets like the Soviet-controlled TASS, and their interviews with foreign leaders and officials. The Bureau described these interviews as placing the Ramparts reporters as being “under the guidance of Egyptian propaganda and intelligence personnel” and felt that “the average reader” would see the resulting article as “pro-Nasser, anti-Israel and anti-U.S.” For the FBI’s San Francisco Field Office, this perception created an opportunity for the Bureau to sow dissent among Rampart’s staff, subscribers, and donors.

Here’s the latest finds from our ongoing crowdsourced efforts to explore Ronald Reagan’s Federal Bureau of Investigation file and hunt down Director J. Edgar Hoover’s handwritten notes.

While a not-insignificant percentage of the Federal Bureau of Investigation’s activities under Director J. Edgar Hoover were driven by personal vendettas, few were as well-known – or as publicly vicious – as Hoover’s feud with civil rights leader Martin Luther King, Jr. That clash quite literally came to a head on December 1, 1964, when, at the urging of President Lyndon Johnson, Hoover invited King to FBI headquarters for their first - and only - face to face meeting, captured in a ten-page memo in King’s file.

Using the Assignment crowdsourcing tool, MuckRock is kicking off a project to catalog all of the handwritten notes left by Hoover himself in the Bureau’s files.

When we last wrote about the Federal Bureau of Investigation file for former head of the American Civil Liberties Union Roger Baldwin, we looked at one of many instances in which Baldwin butted up against Director J. Edgar Hoover on the issue of balancing liberty and security. An earlier section of the file, however, reveals their relationship was relatively tame compared to that of Hoover’s predecessor, who once urged radio stations not to let the “ultra-radicals” at the ACLU broadcast the “rotten propaganda” that they weren’t on the Soviet payroll.

The recently released Federal Bureau of Investigation file for former head of the American Civil Liberties Union Roger Baldwin document numerous times the groups came into conflict with each other. One notable incident, related to the Bureau’s wartime “Postal Censorship” program, led to a testy exchange between Baldwin and FBI Director J. Edgar Hoover after the Bureau investigated the writer and pioneering Libertarian Rose Wilder Lane over her comments on a postcard.